The New Theatre Program at Emory & Henry College

The Greenroom

 

The E&H Department of Theatre Newsletter

Volume 3, Issue #I, 2005

HEADLINES

 

2005 Spring Edition 

Editors Biliana Stoytcheva-Horissian and Katherine Morton                       

Mill Mountain Stages "Frankenstein" Oct. 25 at E&H

E&H stages "Servant of two masters"

E&H stages "Picnic"

Back to Main Page


Archived Newsletters Here

Summer 2003

Fall 2003

Spring 2004

Fall 2004

Spring 2005

 

Pulitzer Prize Winning Play Comes to Emory by Grace Jernigan, E&H Whitetopper

The Emory & Henry Theatre department is presenting William Inge’s “Picnic” December 8th-December 11th. William Inge was a successful playwright who focused on plays set in small town settings. Inge grew up in the small town of Independence, Misouri, and his childhood had a profound impact on his writing. “Picnic” was one of his earliest successes. Released in 1952, it won him a Pulitzer Prize, the Drama Critics Award, and the Theatre Club Reward.

The play was adapted to the screen in 1955. The movie was also successful, winning two Academy Awards, a Golden Globe and was named one of the top ten best films of 1955. “Picnic” focuses on the lives of the inhabitants of a small town in Kansas. The town is preparing for a picnic celebrating the end of summer, when a stranger arrives and dramatically affects the lives of everyone. The action takes place on the porches of two of the town’s inhabitants, which will allow for an interesting staging of the play. “It’s a play about repressed desires and fighting for what you think you want,” Kate Morton, who plays Rosemary, said.

The stranger, Hal, is played by Tommy Bateman, a veteran of Emory & Henry productions. Hal was a role that challenged Tommy. “He is a multifaceted character that plays many roles, depending who is around,” Bateman said. “I had the challenge of making Hal be many people while keeping the consistency that defines him.” There are surprises in store for the audience. Kate Morton plays Rosemary, a 35-year-old typing teacher. “Rosemary has a lot of surprises in store in the show, so I don’t want to give too much away,” Morton said. Morton thinks the small town setting will resonate here in the small town of Emory. “I think the show is perfect for the Emory community because it deals with the realities of living in a small town,” Morton said, “but not in an offensive stereotypical way we’re so used to seeing.”

All of the cast members feel that this show has a lot to offer to all audience members. “The play will envelop the audience in such an intimate way that an audience member can’t help but experience the action themselves,” Bateman said. “You are going to see a lot of talent up on that stage, many of which who have not been in a lot of, if any, main stage productions before,” Morton said. “And, I am certain that the play itself will touch everyone who sees it in a very personal way.” The play features a large cast which allows for many different stories and themes to be presented. “There are several stories and different messages; it depends on the audience member which part will touch them,” Erin Blakenship said. “It’s a very emotional play.” “I think our goal is to personally touch each audience member, in whatever way that means,” Morton said. Those involved are not daunted by the play’s prestigious history at all either. “Our job is to tell the story truthfully,” Morton said. “We focused on our production, not trying to live up to the prestige of the play.” Overall, cast members feel that this will be another in the long line of successful Emory & Henry Theatre productions. “This is a play that Emory & Henry can be proud of,” Bateman said.

The play also features Arlie Reed, Meghan Hawkins, Shane Miller, Katie Ridgeway, Mackenzie Myers, Jack Benton, Kat Kearney, Annika Steele, and James Lawrie. The show will be at 7:30 in the Studio Theatre from Dec. 8 to Dec. 10, and a 3 P.M. on December 11, 2005.

Servant of Two Masters is a laugh riot by Kate Morton

Carl Goldoni’s Servant of Two Masters, directed by Dr. Biliana Stoytcheva-Horissian with design and technical direction by Professor Tim Baumgartner, went off with a bang over Homecoming weekend.

The plot of the play is based largely off of the Old Italian style of theatre, commedia dell’arte, with the familiar conventions of mistaken identities and star crossed lovers. To sum it up in 100 words or less:

Beatrice comes into Venice dressed as her dead brother, Federigo, in order to get money out of the patriarch Pantalone because Federigo was betrothed to Pantalone’s daughter, Clarice. She has, since his untimely death, become engaged to Dottore’s son, Silvio. Brighella, the inn keeper, is the only one who knows Beatrice’s real identity, which she finally abandons when she is reunited with her love, Benedict, who was being waited on (as well as she) by her servant Truffaldino who is, himself, in love with Clarice’s servant, Smeraldina. The three couples end up together, and everyone lives happily ever after. (By the way, that was 99)

Commedia is a difficult style to conquer, being quite different from styles more frequently used today, and the cast of Servant, undoubtedly, succeeded. Their larger-than-life physicality and character choices went over because of the 110% commitment and energy on the part of the actors. Particularly strong performances were given by leading lady Chandler Davis, clown Eric Eteuati, and young lover Mary Margaret Roberts who are all seasoned veterans of this department, but showed us characters we’ve never seen them play before. The two freshmen in the cast, David Daniels (who portrayed the pompous Dottore) and Laura Crockarell (sassy Smeraldina) showed a great deal of talent and potential.

Part of what made Servant such a success was the level of audience interaction and participation. Our first encounter with the cast was an explosion onstage of the actors, before the donned their characters. Daniel’s juggled, Tommy Bateman played the guitar, and, most memorably, Chandler Davis danced the “Charlie Brown.” Next they all got dressed in representational costumes over top of their blacks (in full view of the audience, mind you) and began the “show.”

From that point on, the roller coaster of a play took off and was quite a spectacular ride. Dynamic lighting, vivid costumes, tribal music, and strong performances made the evening at the theatre a remarkably enjoyable and one that will not soon be forgotten. back to top


Mill Mountain Stages "Frankenstein" October 25 at E&H

Monday, October 17, 2005 Mill Mountain Theatre will stage "Mary Shelley's 'Frankenstein'" Tuesday, Oct. 25, at Emory & Henry College. The play begins at 7:30 p.m. in the Wiley Hall Auditorium.

The classic tale of horror and suspense details the ill-fated experiments of young Dr. Frankenstein as he attempts to fathom the secrets of life and death. Adhering more closely to the novel than did the motion picture versions, the play blends moments of brooding terror and sudden shock with questions of morality and the dangers of unrestrained scientific inquiry.

Mill Mountain Players present the play with modern music and costume with a Gothic edge.

Tickets for the play are $8 in advance or $10 at the door. Tickets are available at the E&H Arts Box Office or by calling 276-944-6866. E&H students are admitted free of charges; students from other institutions may purchase a ticket for $3 with ID. back to top